[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"article-faience-strasbourg-hannong-marques-et-prix":3,"artists-for-mentions":56,"related-faience-strasbourg-hannong-marques-et-prix":916,"mdc--fqlm7u-key":953,"mdc--7j36xy-key":1113},{"id":4,"documentId":5,"title":6,"slug":7,"date":8,"author":9,"subtitle":10,"text":11,"createdAt":12,"updatedAt":13,"publishedAt":14,"metaTitle":15,"metaDescription":16,"image":17,"category":21,"tags":25},607,"dpraz3csrq42nugoliyvixrm","Comment estimer une faïence de Strasbourg Hannong ?","faience-strasbourg-hannong-marques-et-prix","2026-05-18","David Elberg","Nichée dans une armoire alsacienne ou entreposée dans une cave familiale depuis plusieurs générations, la faïence Hannong est souvent méconnue de ses propriétaires — qui la croient parfois sans valeur particulière. C'est une erreur potentiellement coûteuse : les meilleures pièces de la manufacture de Strasbourg, active entre 1721 et 1784, atteignent régulièrement plusieurs dizaines de milliers d'euros aux enchères, et même les pièces courantes trouvent des amateurs sérieux à des prix respectables. Tout dépend de la période, de la marque et du décor.","## La manufacture Hannong : trois générations au sommet de la céramique européenne\n\nLa faïence de Strasbourg est indissociable de la famille Hannong — une lignée d'entrepreneurs céramistes d'origine hollandaise dont les innovations techniques ont profondément marqué l'histoire de la céramique française. Tout commence en 1709 lorsque **Charles-François Hannong** s'installe à Strasbourg et ouvre une fabrique de pipes en terre, rue du Foulon (aujourd'hui rue Hannong). En 1721, il fonde la manufacture de faïence qui va rayonner sur toute l'Europe.\n\nTrois générations se succèdent à la direction :\n\n**Charles-François Hannong** (1721–1739) : fondateur, il établit les bases techniques et ouvre une succursale à Haguenau en 1724, profitant des ressources naturelles locales — forêts et argile.\n\n**Paul-Antoine Hannong** (1739–1760) : fils aîné, il perfectionne les techniques décoratives, introduit la polychromie et crée les célèbres **fleurs au naturel** qui deviennent la marque distincte de Strasbourg. Il est le premier à utiliser la **technique de petit feu sur faïence en France**, permettant une palette élargie incluant le rose Pompadour et le pourpre de Cassius. Son désir de produire de la porcelaine comme à Meissen l'amène à des recherches pionnières, mais la Manufacture de Sèvres obtient l'interdiction de cette production concurrente.\n\n**Joseph-Adam Hannong** (1762–1781) : il organise la production industriellement, crée une école de formation pour ses peintres et fait rédiger un catalogue descriptif numéroté — système rationnel en avance sur son temps. La manufacture connaît son apogée sous sa direction avant de décliner sous le poids des dettes et du changement de mode.\n\n## Les décors : clé de lecture et de valeur\n\nLa céramique ancienne Hannong se reconnaît à son **émail blanc légèrement bleuté**, à la pureté de sa palette et à la précision de ses motifs. Les grandes catégories de décors se distinguent nettement :\n\n### Les faïences de grand feu bleues (1721–1730) \n\nDécors en camaïeu bleu, inspirés de la faïence de Rouen avec ses lambrequins et motifs d'orfèvrerie. Ce sont les pièces les plus anciennes, sobres mais très prisées des connaisseurs.\n\n### Les décors polychromes de grand feu (1730–1745) \n\nApparition des premières couleurs vives. Les motifs chinoiseries, scènes de chasse, fleurs des Indes témoignent d'une influence orientale clairement assumée.\n\n### Les « fleurs fines » ou « fleurs esseulées » au petit feu (1745–1781) \n\nC'est la **période de gloire** de la manufacture. Le **pourpre de Cassius** — obtenu grâce à un procédé chimique développé par Paul Hannong — permet des roses et mauves d'une délicatesse inégalée. Les motifs floraux naturalistes, souvent accompagnés de papillons et d'insectes, sont peints avec un réalisme botanique remarquable.\n\n### Les pièces zoomorphes et de représentation (1760–1781) \n\nTerrines en forme de phaisans, de canards, de choux-fleurs, de tortues ou de melons — destinées à l'aristocratie allemande et française — constituent les **chef-d'œuvres absolus** de la manufacture. Ces grandes pièces de forme, souvent attribuées à Paul Hannong, sont aujourd'hui rarissimes sur le marché.\n\n## Les marques et poinçons : déchiffrer pour authentifier\n\nLes faïences Hannong portent généralement une marque sous la base :\n**PH** en bleu sous couverte = **Paul Hannong** (1739–1760). C'est la marque la plus valorisée. **JH** ou **IH** en bleu = **Joseph Hannong** (1762–1781). Très recherchée également. **CFH** = **Charles-François Hannong** (plus rare, production initiale). Des lettres et chiffres supplémentaires correspondent aux marques d'ateliers et aux signatures de peintres.\n\n**Attention aux faux :** des manufactures comme celle des Ferrat à Moustiers ont abusivement utilisé la marque « PH ». Un expert identifie immédiatement la différence par l'examen de la pâte, de l'émail et du style décoratif. La pâte Hannong est fine et légèrement beige, l'émail d'un blanc pur et brillant très distinct des productions concurrentes.\n\n## Fourchettes de prix sur le marché actuel\n\nLes prix varient considérablement selon la catégorie :\n**Assiettes courantes à fleurs fines** : 200 à 800 € en bon état de conservation, pour des pièces typiques de la production courante. La présence d'insectes ou papillons peints dans le décor, caractéristique de la manufacture, maintient l'intérêt.\n**Statuettes et figurines** : les petites figures de la Commedia dell'arte ou les animaux naturalistes modélisés débutent à **200–500 €** pour les exemplaires communs. Les pièces polychromes bien conservées — singes musiciens, Pierrot — atteignent **6 000 à 12 000 €**.\n**Terrines zoomorphes et grandes pièces de représentation** : les adjudications peuvent atteindre voire dépasser **60 000 à 70 000 €** pour les pièces les plus spectaculaires — deux terrines en forme de faisannes ont ainsi été adjugées à 66 000 et 68 000 € lors d'une vente de 2022.\n\n## Comment obtenir une estimation pour une faïence Hannong ?\n\nLa première approche doit toujours commencer par la **photographie complète et rigoureuse** de la pièce : face, revers, profil, et surtout gros plan sous la base pour les marques. L'examen de la pâte (couleur, texture), de l'émail (éclat, blancheur) et du style décoratif complète l'identification.\nPour une estimation de céramique ancienne précise, seul un commissaire-priseur ou un expert spécialisé en céramique française du XVIIIe siècle peut vous donner une fourchette réaliste. Les collections de référence conservées au Musée des Arts Décoratifs de Strasbourg et au Musée Historique de Strasbourg (rue du Vieux-Marché-aux-Poissons) constituent les repères scientifiques du marché.\nEnvoyez vos photos via le **[formulaire d'estimation en ligne](\u002Festimation\u002Fdemande)** d'EstimationArt.fr pour une réponse sous 48 heures.\n\n## Ce qu'il ne faut absolument pas faire\n\n**Confondre Hannong et imitations.** La manufacture a engendré de nombreux imitateurs — Marseille, Niderviller, Lunéville, Saint-Clément se sont directement inspirés des décors strasbourgeois. Seul un expert distingue avec certitude un original Hannong d'une copie contemporaine. Les prix sont sans commune mesure.\n\n**Vendre à un antiquaire sans estimation préalable.** Les pièces Hannong sont particulièrement connues dans la région, et des amateurs locaux informés sont en mesure de les sous-évaluer délibérément. Une estimation par un commissaire-priseur indépendant est la seule garantie d'une vente au juste prix.\n\n**Négliger les traces de restauration.** Une restauration ancienne bien faite peut être invisible à l'œil nu mais visible sous lumière ultraviolette. Elle divise généralement la valeur par deux. Cette vérification est systématique chez tout expert sérieux.\n\n**Jeter l'emballage ou la documentation ancienne.** Une facture, une correspondance ou même une étiquette d'inventaire ancienne augmentent la traçabilité de la pièce — critère désormais pris en compte par les collectionneurs comme par les musées.\n","2026-05-18T13:59:54.219Z","2026-10-24T17:27:20.643Z","2026-10-24T17:27:20.706Z","Faïence de Strasbourg Hannong : marques et prix","Décors, marques peintes et poinçons : reconnaître une faïence Hannong et connaître sa valeur, de quelques centaines d'euros à plus de 60 000 € aux enchères.",{"id":18,"documentId":19,"url":20},179,"ltyq5iagwr39ja1mi2plhb1n","https:\u002F\u002Fimages.estimationart.fr\u002FGemini_Generated_Image_16os9016os9016os_d02e02256f.jpg",{"id":22,"documentId":23,"name":24},107,"o8ifmnj2ogklitul757w0bst","Porcelaine et Céramique",[26,29,32,35,38,41,44,47,50,53],{"id":27,"text":28},7883,"estimer faïence Hannong Strasbourg 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Lalanne","claude-lalanne",{"id":823,"documentId":824,"url":825},284,"mqnlc702o3tp5kbej3uku0jf","https:\u002F\u002Fimages.estimationart.fr\u002FClaude_Lalanne_7dc5396681.jpg",{"id":827,"documentId":828,"name":829,"slug":830,"profileImage":831},337,"ouwgskcus99vlwlebq9fo730","Jean Cocteau","jean-cocteau",{"id":832,"documentId":833,"url":834},285,"t4o5qrey93fxnbhyz9fcyejd","https:\u002F\u002Fimages.estimationart.fr\u002F63b451175969930436c84756_Cocteau_Galerie_AB_Paris_expertises_et_estimations_de_tableaux_et_doeuvres_dart_03b8bf9648.jpg",{"id":836,"documentId":837,"name":838,"slug":839,"profileImage":840},339,"uwdq3rvejrex6fl8a1oruqbk","François-Xavier Lalanne","francois-xavier-lalanne",{"id":841,"documentId":842,"url":843},294,"wxumhkn7q5j6j8pt6vobxz2n","https:\u002F\u002Fimages.estimationart.fr\u002FLalanne_Hero_Option_1_9a00cc3807.jpg",{"id":845,"documentId":846,"name":847,"slug":848,"profileImage":849},340,"w8hzjqqy21tytse1xjknpwad","Giovanni Battista Piranesi","giovanni-battista-piranesi",{"id":850,"documentId":851,"url":852},295,"zkeygasmimzwne732htqq0fw","https:\u002F\u002Fimages.estimationart.fr\u002FPietro_Labruzzi_portrait_of_Giovanni_Battista_Piranesi_febc2f981b.jpg",{"id":854,"documentId":855,"name":856,"slug":857,"profileImage":858},341,"vj14x8gj1a0s02cnxhzdxw7d","Jean Dubuffet","jean-dubuffet",{"id":859,"documentId":860,"url":861},299,"cysvl7e2arujvzp2i39555tg","https:\u002F\u002Fimages.estimationart.fr\u002F637f45bddd8dcdc8b6119596_870x489_gettyimages_120447804_master_5a1c4123a7.jpg",{"id":863,"documentId":864,"name":865,"slug":866,"profileImage":867},342,"bhswfww7tz85r3vhtcc1dbgk","Robert Mallet-Stevens","robert-mallet-stevens",{"id":868,"documentId":869,"url":870},300,"k8gayl02xm1zpf8vt523nfor","https:\u002F\u002Fimages.estimationart.fr\u002Fdesign_sans_titre_11_2719375947.jpg",{"id":872,"documentId":873,"name":874,"slug":875,"profileImage":876},343,"swcl0qmnoynt8qyw8rlhz8db","René Lalique","rene-lalique",{"id":877,"documentId":878,"url":879},301,"z1ov0oqp2ziks4s0u0hnvgvr","https:\u002F\u002Fimages.estimationart.fr\u002FRene_Lalique_01_e6eb7c28f1.jpg",{"id":881,"documentId":882,"name":883,"slug":884,"profileImage":885},344,"b3imcoz0l92fxthsj0d2ynh9","Rembrandt van Rijn","rembrandt-van-rijn",{"id":886,"documentId":887,"url":888},302,"iexg5ibadtj1utp5bdzu8r5j","https:\u002F\u002Fimages.estimationart.fr\u002FRembrandt_Self_portrait_Kenwood_8f32cd976b.jpg",{"id":890,"documentId":891,"name":892,"slug":893,"profileImage":894},345,"e6qen0q3cspqi8xey0teehei","Gilbert Poillerat","gilbert-poillerat",{"id":895,"documentId":896,"url":897},306,"shvpbnun101d1vkyl3yfzngz","https:\u002F\u002Fimages.estimationart.fr\u002FGilbert_Poillerat_vers_1935_09ecbb3a59.jpg",{"id":899,"documentId":900,"name":901,"slug":902,"profileImage":903},346,"l0rgzk1p41bb538zztqs1jwo","Georges Jouve","georges-jouve",{"id":904,"documentId":905,"url":906},307,"csrbxdkksw89lkusdkj0f44o","https:\u002F\u002Fimages.estimationart.fr\u002Fgeorges_jouve_portrait_337f3441fe.jpg",{"id":908,"documentId":909,"name":910,"slug":911,"profileImage":912},347,"boof27lkjscp5qmaz3sn51ap","Henry Moore","henry-moore",{"id":913,"documentId":914,"url":915},308,"wyeeqvje1ofbbi9k2iqowcb2","https:\u002F\u002Fimages.estimationart.fr\u002FHenry_Moore_1_f1d18ff470.jpg",[917,929,941],{"date":918,"id":919,"documentId":920,"slug":921,"title":922,"subtitle":923,"image":924,"category":928},"2026-09-03",556,"zwqkltzmhg0e2aqe1qrqtlvj","robert-picault-vallauris-cote-signature-et-prix-des-ceramiques-en-2026","Robert Picault Vallauris : cote, signature et prix des céramiques en 2026","Robert Picault (1919-2000) a forgé à Vallauris un style géométrique immédiatement reconnaissable : motifs de chevrons et spirales, palette vert cuivre et brun manganèse sur fond blanc. Ami de Picasso, cofondateur de l'atelier Callis, sa cote progresse régulièrement depuis 2010.",{"id":925,"documentId":926,"url":927},480,"oxom4tx3pws4rqwf6mpassqp","https:\u002F\u002Fimages.estimationart.fr\u002FGemini_Generated_Image_r2bdycr2bdycr2bd_fc447313a5.jpg",{"id":22,"documentId":23,"name":24},{"date":930,"id":931,"documentId":932,"slug":933,"title":934,"subtitle":935,"image":936,"category":940},"2026-08-01",537,"mrtiyjjia2yqhhpc1r6lcg7c","suzanne-ramie-et-la-ceramique-madoura-cote-et-estimation-en-2026","Suzanne Ramié et la céramique Madoura : cote et estimation en 2026","Suzanne Ramié (1905-1974) a fondé l'atelier Madoura à Vallauris en 1938 et accueilli Picasso dès 1946. Ses céramiques propres valent entre 300 et 1 500 euros ; celles éditées en collaboration avec Picasso peuvent atteindre plusieurs centaines de milliers d'euros selon la rareté de l'édition.",{"id":937,"documentId":938,"url":939},446,"f1z79xzfizj6n89m1x9tpqj1","https:\u002F\u002Fimages.estimationart.fr\u002FGemini_Generated_Image_hl20iohl20iohl20_00db0544b2.png",{"id":22,"documentId":23,"name":24},{"date":942,"id":943,"documentId":944,"slug":945,"title":946,"subtitle":947,"image":948,"category":952},"2026-07-27",523,"yn8tymbwv3nik4pz4mpro7dg","ceramiques-de-jouve-identifier-authentifier-et-estimer-leur-valeur","Céramiques de Jouve : identifier, authentifier et estimer leur valeur","Pas de signature, copies répandues, évolution du style entre 1941 et 1964 : identifier une céramique de Georges Jouve n'est pas un exercice anodin. Ce guide vous donne les clés pour ne pas confondre un Jouve authentique avec une imitation.",{"id":949,"documentId":950,"url":951},436,"tmx7lgmkb435snbiekt5ilbc","https:\u002F\u002Fimages.estimationart.fr\u002FGemini_Generated_Image_e2ax2ge2ax2ge2ax_1b585bca2a.png",{"id":22,"documentId":23,"name":24},{"data":954,"body":955},{},{"type":956,"children":957},"root",[958,967,981,986,995,1019,1029,1035,1047,1054,1059,1065,1070,1076,1095,1101],{"type":959,"tag":960,"props":961,"children":963},"element","h2",{"id":962},"la-manufacture-hannong-trois-générations-au-sommet-de-la-céramique-européenne",[964],{"type":965,"value":966},"text","La manufacture Hannong : trois générations au sommet de la céramique européenne",{"type":959,"tag":968,"props":969,"children":970},"p",{},[971,973,979],{"type":965,"value":972},"La faïence de Strasbourg est indissociable de la famille Hannong — une lignée d'entrepreneurs céramistes d'origine hollandaise dont les innovations techniques ont profondément marqué l'histoire de la céramique française. Tout commence en 1709 lorsque ",{"type":959,"tag":974,"props":975,"children":976},"strong",{},[977],{"type":965,"value":978},"Charles-François Hannong",{"type":965,"value":980}," s'installe à Strasbourg et ouvre une fabrique de pipes en terre, rue du Foulon (aujourd'hui rue Hannong). En 1721, il fonde la manufacture de faïence qui va rayonner sur toute l'Europe.",{"type":959,"tag":968,"props":982,"children":983},{},[984],{"type":965,"value":985},"Trois générations se succèdent à la direction :",{"type":959,"tag":968,"props":987,"children":988},{},[989,993],{"type":959,"tag":974,"props":990,"children":991},{},[992],{"type":965,"value":978},{"type":965,"value":994}," (1721–1739) : fondateur, il établit les bases techniques et ouvre une succursale à Haguenau en 1724, profitant des ressources naturelles locales — forêts et argile.",{"type":959,"tag":968,"props":996,"children":997},{},[998,1003,1005,1010,1012,1017],{"type":959,"tag":974,"props":999,"children":1000},{},[1001],{"type":965,"value":1002},"Paul-Antoine Hannong",{"type":965,"value":1004}," (1739–1760) : fils aîné, il perfectionne les techniques décoratives, introduit la polychromie et crée les célèbres ",{"type":959,"tag":974,"props":1006,"children":1007},{},[1008],{"type":965,"value":1009},"fleurs au naturel",{"type":965,"value":1011}," qui deviennent la marque distincte de Strasbourg. Il est le premier à utiliser la ",{"type":959,"tag":974,"props":1013,"children":1014},{},[1015],{"type":965,"value":1016},"technique de petit feu sur faïence en France",{"type":965,"value":1018},", permettant une palette élargie incluant le rose Pompadour et le pourpre de Cassius. Son désir de produire de la porcelaine comme à Meissen l'amène à des recherches pionnières, mais la Manufacture de Sèvres obtient l'interdiction de cette production concurrente.",{"type":959,"tag":968,"props":1020,"children":1021},{},[1022,1027],{"type":959,"tag":974,"props":1023,"children":1024},{},[1025],{"type":965,"value":1026},"Joseph-Adam Hannong",{"type":965,"value":1028}," (1762–1781) : il organise la production industriellement, crée une école de formation pour ses peintres et fait rédiger un catalogue descriptif numéroté — système rationnel en avance sur son temps. La manufacture connaît son apogée sous sa direction avant de décliner sous le poids des dettes et du changement de mode.",{"type":959,"tag":960,"props":1030,"children":1032},{"id":1031},"les-décors-clé-de-lecture-et-de-valeur",[1033],{"type":965,"value":1034},"Les décors : clé de lecture et de valeur",{"type":959,"tag":968,"props":1036,"children":1037},{},[1038,1040,1045],{"type":965,"value":1039},"La céramique ancienne Hannong se reconnaît à son ",{"type":959,"tag":974,"props":1041,"children":1042},{},[1043],{"type":965,"value":1044},"émail blanc légèrement bleuté",{"type":965,"value":1046},", à la pureté de sa palette et à la précision de ses motifs. Les grandes catégories de décors se distinguent nettement :",{"type":959,"tag":1048,"props":1049,"children":1051},"h3",{"id":1050},"les-faïences-de-grand-feu-bleues-17211730",[1052],{"type":965,"value":1053},"Les faïences de grand feu bleues (1721–1730)",{"type":959,"tag":968,"props":1055,"children":1056},{},[1057],{"type":965,"value":1058},"Décors en camaïeu bleu, inspirés de la faïence de Rouen avec ses lambrequins et motifs d'orfèvrerie. Ce sont les pièces les plus anciennes, sobres mais très prisées des connaisseurs.",{"type":959,"tag":1048,"props":1060,"children":1062},{"id":1061},"les-décors-polychromes-de-grand-feu-17301745",[1063],{"type":965,"value":1064},"Les décors polychromes de grand feu (1730–1745)",{"type":959,"tag":968,"props":1066,"children":1067},{},[1068],{"type":965,"value":1069},"Apparition des premières couleurs vives. Les motifs chinoiseries, scènes de chasse, fleurs des Indes témoignent d'une influence orientale clairement assumée.",{"type":959,"tag":1048,"props":1071,"children":1073},{"id":1072},"les-fleurs-fines-ou-fleurs-esseulées-au-petit-feu-17451781",[1074],{"type":965,"value":1075},"Les « fleurs fines » ou « fleurs esseulées » au petit feu (1745–1781)",{"type":959,"tag":968,"props":1077,"children":1078},{},[1079,1081,1086,1088,1093],{"type":965,"value":1080},"C'est la ",{"type":959,"tag":974,"props":1082,"children":1083},{},[1084],{"type":965,"value":1085},"période de gloire",{"type":965,"value":1087}," de la manufacture. Le ",{"type":959,"tag":974,"props":1089,"children":1090},{},[1091],{"type":965,"value":1092},"pourpre de Cassius",{"type":965,"value":1094}," — obtenu grâce à un procédé chimique développé par Paul Hannong — permet des roses et mauves d'une délicatesse inégalée. Les motifs floraux naturalistes, souvent accompagnés de papillons et d'insectes, sont peints avec un réalisme botanique remarquable.",{"type":959,"tag":1048,"props":1096,"children":1098},{"id":1097},"les-pièces-zoomorphes-et-de-représentation-17601781",[1099],{"type":965,"value":1100},"Les pièces zoomorphes et de représentation (1760–1781)",{"type":959,"tag":968,"props":1102,"children":1103},{},[1104,1106,1111],{"type":965,"value":1105},"Terrines en forme de phaisans, de canards, de choux-fleurs, de tortues ou de melons — destinées à l'aristocratie allemande et française — constituent les ",{"type":959,"tag":974,"props":1107,"children":1108},{},[1109],{"type":965,"value":1110},"chef-d'œuvres absolus",{"type":965,"value":1112}," de la manufacture. Ces grandes pièces de forme, souvent attribuées à Paul Hannong, sont aujourd'hui rarissimes sur le marché.",{"data":1114,"body":1115},{},{"type":956,"children":1116},[1117,1123,1176,1186,1192,1239,1245,1269,1275,1285,1295,1305],{"type":959,"tag":960,"props":1118,"children":1120},{"id":1119},"les-marques-et-poinçons-déchiffrer-pour-authentifier",[1121],{"type":965,"value":1122},"Les marques et poinçons : déchiffrer pour authentifier",{"type":959,"tag":968,"props":1124,"children":1125},{},[1126,1128,1133,1135,1140,1142,1147,1149,1154,1156,1161,1163,1168,1170,1174],{"type":965,"value":1127},"Les faïences Hannong portent généralement une marque sous la base :\n",{"type":959,"tag":974,"props":1129,"children":1130},{},[1131],{"type":965,"value":1132},"PH",{"type":965,"value":1134}," en bleu sous couverte = ",{"type":959,"tag":974,"props":1136,"children":1137},{},[1138],{"type":965,"value":1139},"Paul Hannong",{"type":965,"value":1141}," (1739–1760). C'est la marque la plus valorisée. ",{"type":959,"tag":974,"props":1143,"children":1144},{},[1145],{"type":965,"value":1146},"JH",{"type":965,"value":1148}," ou ",{"type":959,"tag":974,"props":1150,"children":1151},{},[1152],{"type":965,"value":1153},"IH",{"type":965,"value":1155}," en bleu = ",{"type":959,"tag":974,"props":1157,"children":1158},{},[1159],{"type":965,"value":1160},"Joseph Hannong",{"type":965,"value":1162}," (1762–1781). Très recherchée également. ",{"type":959,"tag":974,"props":1164,"children":1165},{},[1166],{"type":965,"value":1167},"CFH",{"type":965,"value":1169}," = ",{"type":959,"tag":974,"props":1171,"children":1172},{},[1173],{"type":965,"value":978},{"type":965,"value":1175}," (plus rare, production initiale). Des lettres et chiffres supplémentaires correspondent aux marques d'ateliers et aux signatures de peintres.",{"type":959,"tag":968,"props":1177,"children":1178},{},[1179,1184],{"type":959,"tag":974,"props":1180,"children":1181},{},[1182],{"type":965,"value":1183},"Attention aux faux :",{"type":965,"value":1185}," des manufactures comme celle des Ferrat à Moustiers ont abusivement utilisé la marque « PH ». Un expert identifie immédiatement la différence par l'examen de la pâte, de l'émail et du style décoratif. La pâte Hannong est fine et légèrement beige, l'émail d'un blanc pur et brillant très distinct des productions concurrentes.",{"type":959,"tag":960,"props":1187,"children":1189},{"id":1188},"fourchettes-de-prix-sur-le-marché-actuel",[1190],{"type":965,"value":1191},"Fourchettes de prix sur le marché actuel",{"type":959,"tag":968,"props":1193,"children":1194},{},[1195,1197,1202,1204,1209,1211,1216,1218,1223,1225,1230,1232,1237],{"type":965,"value":1196},"Les prix varient considérablement selon la catégorie :\n",{"type":959,"tag":974,"props":1198,"children":1199},{},[1200],{"type":965,"value":1201},"Assiettes courantes à fleurs fines",{"type":965,"value":1203}," : 200 à 800 € en bon état de conservation, pour des pièces typiques de la production courante. La présence d'insectes ou papillons peints dans le décor, caractéristique de la manufacture, maintient l'intérêt.\n",{"type":959,"tag":974,"props":1205,"children":1206},{},[1207],{"type":965,"value":1208},"Statuettes et figurines",{"type":965,"value":1210}," : les petites figures de la Commedia dell'arte ou les animaux naturalistes modélisés débutent à ",{"type":959,"tag":974,"props":1212,"children":1213},{},[1214],{"type":965,"value":1215},"200–500 €",{"type":965,"value":1217}," pour les exemplaires communs. Les pièces polychromes bien conservées — singes musiciens, Pierrot — atteignent ",{"type":959,"tag":974,"props":1219,"children":1220},{},[1221],{"type":965,"value":1222},"6 000 à 12 000 €",{"type":965,"value":1224},".\n",{"type":959,"tag":974,"props":1226,"children":1227},{},[1228],{"type":965,"value":1229},"Terrines zoomorphes et grandes pièces de représentation",{"type":965,"value":1231}," : les adjudications peuvent atteindre voire dépasser ",{"type":959,"tag":974,"props":1233,"children":1234},{},[1235],{"type":965,"value":1236},"60 000 à 70 000 €",{"type":965,"value":1238}," pour les pièces les plus spectaculaires — deux terrines en forme de faisannes ont ainsi été adjugées à 66 000 et 68 000 € lors d'une vente de 2022.",{"type":959,"tag":960,"props":1240,"children":1242},{"id":1241},"comment-obtenir-une-estimation-pour-une-faïence-hannong",[1243],{"type":965,"value":1244},"Comment obtenir une estimation pour une faïence Hannong ?",{"type":959,"tag":968,"props":1246,"children":1247},{},[1248,1250,1255,1257,1267],{"type":965,"value":1249},"La première approche doit toujours commencer par la ",{"type":959,"tag":974,"props":1251,"children":1252},{},[1253],{"type":965,"value":1254},"photographie complète et rigoureuse",{"type":965,"value":1256}," de la pièce : face, revers, profil, et surtout gros plan sous la base pour les marques. L'examen de la pâte (couleur, texture), de l'émail (éclat, blancheur) et du style décoratif complète l'identification.\nPour une estimation de céramique ancienne précise, seul un commissaire-priseur ou un expert spécialisé en céramique française du XVIIIe siècle peut vous donner une fourchette réaliste. Les collections de référence conservées au Musée des Arts Décoratifs de Strasbourg et au Musée Historique de Strasbourg (rue du Vieux-Marché-aux-Poissons) constituent les repères scientifiques du marché.\nEnvoyez vos photos via le ",{"type":959,"tag":974,"props":1258,"children":1259},{},[1260],{"type":959,"tag":1261,"props":1262,"children":1264},"a",{"href":1263},"\u002Festimation\u002Fdemande",[1265],{"type":965,"value":1266},"formulaire d'estimation en ligne",{"type":965,"value":1268}," d'EstimationArt.fr pour une réponse sous 48 heures.",{"type":959,"tag":960,"props":1270,"children":1272},{"id":1271},"ce-quil-ne-faut-absolument-pas-faire",[1273],{"type":965,"value":1274},"Ce qu'il ne faut absolument pas faire",{"type":959,"tag":968,"props":1276,"children":1277},{},[1278,1283],{"type":959,"tag":974,"props":1279,"children":1280},{},[1281],{"type":965,"value":1282},"Confondre Hannong et imitations.",{"type":965,"value":1284}," La manufacture a engendré de nombreux imitateurs — Marseille, Niderviller, Lunéville, Saint-Clément se sont directement inspirés des décors strasbourgeois. Seul un expert distingue avec certitude un original Hannong d'une copie contemporaine. Les prix sont sans commune mesure.",{"type":959,"tag":968,"props":1286,"children":1287},{},[1288,1293],{"type":959,"tag":974,"props":1289,"children":1290},{},[1291],{"type":965,"value":1292},"Vendre à un antiquaire sans estimation préalable.",{"type":965,"value":1294}," Les pièces Hannong sont particulièrement connues dans la région, et des amateurs locaux informés sont en mesure de les sous-évaluer délibérément. Une estimation par un commissaire-priseur indépendant est la seule garantie d'une vente au juste prix.",{"type":959,"tag":968,"props":1296,"children":1297},{},[1298,1303],{"type":959,"tag":974,"props":1299,"children":1300},{},[1301],{"type":965,"value":1302},"Négliger les traces de restauration.",{"type":965,"value":1304}," Une restauration ancienne bien faite peut être invisible à l'œil nu mais visible sous lumière ultraviolette. Elle divise généralement la valeur par deux. Cette vérification est systématique chez tout expert sérieux.",{"type":959,"tag":968,"props":1306,"children":1307},{},[1308,1313],{"type":959,"tag":974,"props":1309,"children":1310},{},[1311],{"type":965,"value":1312},"Jeter l'emballage ou la documentation ancienne.",{"type":965,"value":1314}," Une facture, une correspondance ou même une étiquette d'inventaire ancienne augmentent la traçabilité de la pièce — critère désormais pris en compte par les collectionneurs comme par les musées."]